I wanted to write this review soon as I was out of the theatre, because, well, a day of work, too much talk and not enough attention leaves its mark on my writing. But I shall put my fascination with Harry Potter above all this...
Firstly, the HP movies are worth watching only if you're an HP fan. If you're a fan of fine cinema, I'm not too sure what you'll get out of them, except maybe the adaptation and the cinematography. You have to have read the books breathlessly, ensured you watch every movie first-day-first-show and follow all bits of Potter news with nothing less than obsession.
The makers of Half-Blood Prince depend heavily on the goodwill of HP fans. A fan who has read the print version of HBP will know its bulk, understand that to bring the intricacies, the dozens of connections that JK Rowling penned, are not possible to squeeze into a two-and-a-half-hour long film.
Instead, director David Yates looks at the bigger picture, the wider issues in the story. The characters are growing up. They are more confident, more daring, more accepting of what lies ahead. Daniel Radcliffe is a grown-up Harry. He can ask out a pretty girl in a diner without turning blue in the face. He knows his path will never be easy, and if need be, he will sweet-talk Professor Slughorn to get what he wants. Rupert Grint is his usual, goofy, lovable Ron (man I love the guy!) and Emma Watson is fresh and pretty. But it is Tom Felton who steals the show. Draco is tortured, torn in this part of the story. Felton's hollow cheeks, haunted eyes and occasional outbursts are perfect for a teenage boy chosen and condemned to perform dark deeds.
Growing up, the Potter clan of characters are also forming new relationships. Ron and Hermione are intensely aware of one another. Ron, despite his best efforts to play it cool, notices when Hermione has toothpaste at the corner of her mouth or a Butterbeer moustache. Harry and Ginny are together in the audience's mind right from the start of the movie, when she hugs him soon as he arrives at The Burrow. The Kiss, that is so magnified in the book is underplayed here to say the least. But there are moments of wonderful anticipation that had the audience on their feet and hooting. Ginny saucily asking, 'Who's the Half-Blood Prince?' and tossing the book of spells playfully at Harry. Ginny feeding Harry a pastry. But what cements the bond is after when Harry is leaning over Dumbledore's lifeless body and Ginny steps through the crowd, kneels next to him and holds him. Rarely has Harry Potter had somebody to physically comfort him.
Nostalgia and a subtle sensuality shimmers all around HBP. This is the last movie where we will see the clan as students in Hogwarts. Innocence is rapidly dying out, whether by falling in love or by plotting the Headmaster's death. These are the themes the movie picks out. In cinematography, in the sweeping background score and the director/screeplay writer's understanding that Rowling's characters, as well as their own actors are moving, albeit shakily, towards adulthood. That perhaps, is the movie's greatest strength.
